
Soundstreams Canada
Brings Groundbreaking
Cree Opera to Northern
Ontario
Spring 2010 tour
school workshop & performance tour of
Tomson Highway and
Melissa Hui’s
Pimooteewin:
The Journey
Lawrence Cherney, Artistic Director of
Soundstreams announced today the Northwestern Ontario tour of Pimooteewin:
The Journey – the first opera ever written and sung in Cree. The
Soundstreams’ Educational Team just returned to Toronto after three
weeks visitng 16 schools in 9 communities and offering
183 workshops to 3,601
students. Performances of the
opera will be offered in those 9 communities April 22-May 7.
Cities on the
Tour:
| Red
Lake |
Sioux Lookout |
|
Thunder Bay |
Atikokan |
|
Chapleau |
Wawa |
|
Marathon |
Red Rock |
Pimooteewin: The
Journey
features a libretto by internationally celebrated author
Tomson Highway,
and music by award-winning Canadian composer Melissa Hui.
Renowned Cree actor, choreographer and dancer Michael Greyeyes
returns to choreograph and direct the cast of over 20 performers including The Elmer Iseler
Singers, original soloists Xin Wang (soprano), and Bud
Roach (tenor) and a virtuoso ensemble of Canadian musicians, actors,
and dancers.
“Pimooteewin: The
Journey is culturally provocative and profoundly Canadian” says
Soundstreams Artistic Director Lawrence Cherney. “The story is by a Cree
writer inspired by Aboriginal myth; the music was created by a
Chinese-Canadian composer and is sung in the Cree language by a cast
drawn from diverse heritages; and the Cree stage director has drawn upon
Aboriginal and Japanese traditions. It is a true reflection of Canadian
culture and society in 2009. Pimooteewin celebrates universal
themes of life and death and weaves together music and ideas from
globally diverse genres, artists and traditions. Soundstreams is proud
to have commissioned, developed and produced this work for Canadian and
international audiences. Such a work could only have been created in
Canada!”
In February of 2008
Soundstreams Canada broke new creative ground with the World Premiere of
Pimooteewin: The Journey which as recorded by the Canadian
Broadcasting Corporation.
Pimooteewin: The Journey on
Tour
|
CITY |
Performance |
Location |
|
Red Lake |
April 22 - matinee |
Red Lake
District High School |
|
|
April 23
–matinee |
|
|
|
April 23
–evening |
|
|
|
|
|
|
Sioux Lookout |
April 26 –matinee |
Queen
Elizabeth High School |
|
|
April 26
–evening |
|
|
|
April 27 - matinee |
|
|
|
|
|
|
Thunder Bay |
April 28
–matinee |
Superior
Collegiate & Vocational |
|
|
April 28 - evening |
|
|
|
April 29
–matinee |
|
|
|
|
|
|
Atikokan |
April 30
–matinee |
St. Patrick’s School |
|
|
|
|
|
Chapleau |
May 3 –
matinee |
Chapleau
High School |
|
|
|
|
|
Wawa |
May 5 -
matinee |
Michipicoten High School |
|
|
May 5 -
evening |
|
|
|
|
|
|
Marathon |
May 6 -
matinee |
Marathon
High School |
|
|
May 6 –
matinee |
|
|
|
|
|
|
Red Rock |
May 7 -
matinee |
Nipigon Red
Rock High School |
|
|
May 7 -
evening |
|
|
|
|
|
The Story of Pimooteewin: The
Journey
The opera follows
two characters traditional to Aboriginal mythology - the Trickster (Weesageechak)
and the Eagle (Migisoo) - as they journey across a river to the magic
island where, lit by the moon, the Spirits of the Dead perform a
nocturnal dance. The Trickster and his companion capture the spirits in
a basket. As the duo make their triumphant way home, the Spirits make
their escape. Pimooteewin: The Journey tackles the sensitive
subjects of life and death with the profound wisdom and humour typical
of Tomson
Highway’s writing.
Highway says of the
Trickster, “The Trickster is a clown, the world’s
most hysterical, most ridiculous, given to the people by the Great
Spirit, to teach us the pivotal lesson that the reason for existence on
the planet is not to suffer, not to wallow in guilt but to enjoy life,
to take pleasure in the simple act of living.”
“Trickster serves a tremendous role through our Aboriginal
culture because through his mischief, joy and machinations he teaches us
humanity about ourselves.” - Michael Greyeyes, director
Highway chose to tell the story of the Trickster and the
Eagle’s journey to the land of the dead as a way of dealing with the
personal loss in his immediate family. The writer/musician explains that
Pimooteewin: The Journey explores the idea of death in the context of
aboriginal belief that passing is not an end, but a continuation of life
in a different form. A classically trained pianist, Thomson believes
that language itself is an instrument. He and composer Melissa Hui were
commissioned to create The Journey by Soundstreams’ Artistic Director
Lawrence Cherney after sitting on a panel to discuss cross-cultural
collaborations.
“What I loved was the universality of the myth and
characters.” Says Melissa Hui “This story about death and longing for
our loved ones transcends culture and time.”
Pimooteewin: The
Journey is a
story told simply and concisely. Sets are minimal, and costumes
streamlined and bold. Director Michael Greyeyes cleverly incorporates
conventions from traditional Japanese theatre, a cross-cultural nod to
the universal similarities in the story-telling tradition. Kurokos are
essential members of the cast in Kabuki theatre. Dressed entirely in
black, their role is to move pieces of the set, often animating these
pieces to represent weather, seasons, landscapes, animals, ethereal
creatures, and elemental entities. In Pimooteewin, it is dancers
who take on the Kurokos roles enhancing the story-telling with movement
and puppetry.





The Chawkers Foundation | The Catherine and Maxwell Meighen Foundation
The tour of Pimooteewin: The Journey is made possible
with the support of The Ontario Trillium Foundation, The Catherine
and Maxwell Meighen Foundation, and the TD Foundation. Thank you to
our media sponsor Moose FM in
Timmins,
Ontario,
the Days Inn Timmins, and Ontario Northland.
About Soundstreams
Soundstreams is a hub
for new directions in music, programming culturally provocative concerts
and festivals by weaving together music and ideas from globally diverse
genres, artists and eras. Founded by renowned oboist Lawrence Cherney
in 1982, Soundstreams has presented hundreds of unique and compelling
concerts, from intimate chamber music events to multi-choral
spectaculars, opera and six highly successful international festivals. A
recognized national leader, Soundstreams Canada is one of the largest
and most dynamic organizations of its kind anywhere in the world.
In Acknowledgement
Soundstreams Canada gratefully acknowledges the support of The Ontario
Trillium Foundation, The Ontario Arts Council, The Canada Council for
the Arts, TD Canada Trust Music, The Chawkers Foundation, The Catherine
and Maxwell Meighen Foundation, Opera.ca, Ontario Power Generation,
Classical 96.3 FM, NOW Magazine, Coach Canada, Heinsoo Insurance
Brokers, the Laidlaw Foundation, the Metcalf Foundation, the Department
of Canadian Heritage, the Toronto Arts Council, SOCAN Foundation, the
Creative Trust, the Koerner Foundation, the John D. McKellar Foundation,
Roger D. Moore, the Charles H. Ivey Foundation, the Fleck Family
Foundation, The Ontario Arts Foundation, the McLean Foundation and
members of the Soundstreams’ Premiere Circle for their generous support.
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For more information
please contact:
Maureen O’Donnell
Communications
Consultant
maureensodonnell@gmail.com
416-929-1106
Allison McColl
Soundstreams Canada
Marketing and Public Relations Manager
amccoll@soundstreams.ca
416-504-1282